Learn How To Program Classic Drum Beats With Funklet

Ever hear a drum beat and wonder how to recreate it on a drum machine or sequencer? Fortunately, Funklet is now here to help you! Click below to see (and hear) how to create the classic drum groove from Steve Wonder's "Superstition":


Want to learn the grooves to other iconic song? Click here to see everything Funklet has to offer!




August 22, 2016 by Ryan Gruss

Are You A Music Production Genius?



 Ready for another test?  Click here to see if you can keep perfect time!


July 12, 2016 by Ryan Gruss

Auctioneers + Hip Hop Beats = Internet Gold?

Who knew auctioneers had so much flow?  Apparently, you just need to layer in some 808 kicks and rolling hi hats and you've got yourself a mixtape masterpiece.

July 05, 2016 by Ryan Gruss

Money Management for Musicians 101

Making money in the music business is harder than it's ever been.  And knowing what to do with that money in order to survive is even harder.  In this video, saxophonist (and Loop Loft artist), Bob Reynolds, provides an excellent tutorial on managing your money wisely while trying to maintain a career as a professional musician.

Want more info like this? Subscribe to Bob's YouTube channel where he vlogs daily, providing an inside and personal look on what it's like to live, work, and survive as a professional musician (and balance life as a married father of two) in Los Angeles.



Noah "40" Shebib shows us the Room & Gear Behind Drake's "Views From the 6"

40 is the Grammy-winning producer behind the sound of Drake’s innovative productions. 
In this new video, watch him talk about building his Toronto studio with workflow in mind, share production tips, and explain how MASCHINE and KOMPLETE KONTROL fit perfectly into his philosophy of delivering maximum artistic authenticity through simplicity.

Browse our MASCHINE kits here

How to create Ableton Drum Racks with Scrollable Pad Banks

One of the biggest time wasters we deal with as producers is sifting through folder after folder of one shot sounds each time we start a song. Luckily, if you're a Live user, with some quick configuration you can make a drum rack that let's you scroll through your sounds quickly with an encoder on a midi controller.

In Live's Browser, highlight a few sounds of the same type. We're using kicks in the example below. Command + Drag them on to a cell in a drum rack. This creates an instrument rack on the cell with each kick sample on a different chain:

Click on the "Chain" box to reveal the chain view. Select all chains and drag them out over a range that's equal to or larger than the amount of samples you have. In other words, if you have 8 drums, drag the range over to at least 8.


Right Click and select "Distribute Ranges Equally":


You should now see something like this. The orange indicator hovered over the "0" is the Chain Selector Ruler. Whatever chain, or in this case whatever drum sound it hovers over gets played back when we strike that pad.  If you move the selector over a different sample, it'll play a that new sample when you strike the pad:



In order to make this rack scrollable, we can assign a macro to the orange Chain Selector Ruler. Right Click it, and select Map to Macro 1. This macro knob can now scroll through the different samples in the rack. Rename it to "Kick Select" using CMD + R:



One last thing to do is tocustomize the range of the macro knob. By default, a macro will scroll from the values 0-127. But your kit you may only have 8 drums or so, like we do here. If this is the case, click the "Map" button on top of the instrument rack. This will open the Macro Mappings section on the left of your screen. Under "Kick Select" change the Min - Max values from 0-127 to 0-7 if you have 8 Drums. (Sample 1 = Macro value 0, Sample 2 = Macro Value 1...Sample 8 = Macro Value 7).

If you don't take this extra step, you'll have a bunch of extra scroll space on your controller that doesn't get used since the Chain Selector will attempt to access too far down the list of samples.



You can repeat this process on the other cells in your Drum Rack for a full kit of scrollable sounds from your library. Save the whole thing in a Default Set and you're ready to go at the start of every session. 

For Ableton Live Packs fully organized and ready to use, click here.


Native Sessions: Play. Patch. Build. - FLESH and Flow Machine performance

Electronic musician and producer Tim Exile showcases his REAKTOR-based live performance/composition extravaganza, which uses his latest NI instrument – FLESH. Take a deep dive into the world of REAKTOR with highlights from Native Sessions: Play. Patch. Build. events in Berlin, London, LA and Amsterdam. Click  here for more info.

Click here to browse our Maschine Kits

Mark Guiliana: How To Be Original As A Drummer

As a drummer, Mark Guiliana said he's always felt a great pressure to be unique. We asked him what helped him attain that originality, and how others could achieve it themselves.

For the full written feature, Mark's interview is available in Issue 12 of The Drummer's Journal, which can be viewed and downloaded for free here.
To grab Mark's loops Drum Loops click here.

April 20, 2016 by Cliff Callender

(Video) 48 Hours With Mike Dean in the Moog Factory

Mike Dean is an elite producer, live musician, and writer that has worked with some of the biggest artists across generations and genres. Getting his start producing and playing for Selena, his sonics have since fueled The Geto Boys, Rihanna, Travis Scott, Kanye West, and countless others in between. Recently, Mike spent a weekend in the Moog Music Factory, surrounded by analog synthesizers and immersed in an environment of experimentation. He selected 6x Mother-32 synthesizers to create his sonic palette and a Voyager XL as his master controller. This is what he synthesized...

Maximizing Your First Tour, Part 2: On The Road


In part one of our series on Maximizing Your First Tour, we took a look at some of the steps you can take before hitting the road that will help ensure your run is successful. Today we're looking at actual road life and discussing some of the things you can do to make the experience cost effective and productive.

Shoot Everything

Tour footage, photos, and B-roll should be captured and shared throughout the entire process. When you look at so many of the successful campaigns of big artists, a core element is their tour media. Capture sound check footage, record video from the stage, even barter free admission and some drink tickets to have a friend shoot from the crowd. Do whatever you can to grab as many videos and photos as you can, even if you don't use it until later. Also, take advantage of live high-engagement platforms like Facebook Live, Snapchat, or Periscope while you're traveling. It allows you to develop a more personal relationship with the people supporting your art, and that's always a great thing. 



Local Networks

There's enough planning and running around to do during a tour to keep you more than busy, but it's important to get out and support other scenes if you can. During off days, see if there's a local show you can check out. Hearing what other band's are doing and gauging how the crowd responds is a great way to develop your own set. It's also a chance to network with the staff of the venue, fellow artists, and even potential fans. Usually the conversation with a stranger leads to "where are you from?" Follow that up by mentioning that you're on tour and wanted to check out the local talent. You'll be asked about your own music almost every time.



Lay Low

Breaking the bank on lodging is a common pitfall that can be avoided easier than ever nowadays. Airbnb can be a great resource for cheap lodging, especially in big music towns. You'll find a few renters who specifically cater to touring artists, and as such usually have some applicable perks. I met one such renter in the midwest US who only took in artists. Her husband ran a music shop, and they'd repair gear and replace cables for dirt cheap, in addition to stocking the fridge with snacks they encouraged us to take. Their basement had a rehearsal space with amps, and a recording rig. We ended up cutting a remix in between shows for cheaper than it would've cost to book a studio. 

There's other ways to save on lodging too. For starters, speak with the venue manager or promoter and ask if they have a relationship with a local hotel that can yield a discount. In some towns, a personal cosign can go much further than Expedia will. Alternate lodging like hostels can also save a ton of money in a pinch. Depending on your genre and market, also consider applying for some hotel dates as entertainment in exchange for a room. While DJing as support for a tour, I secured a free stay in New Orleans for the whole team because I agreed to spin a funk/disco party in their bar during one of our off nights. Get creative and get to sleep.

Eat To Live

It gets really easy to spend half of your money on food when you're on the road. Depending on how you're traveling, you may be at the liberty of whatever's available, but try your best to eat meals that are cost effective and good for you. If you're commuting by bus or van, plan for stops at local markets instead of raiding the fast food and convenience centers on the highway. While there, stock up on things like fruit, nuts, and health bars for on the go snacks, and hit the deli for warm meals. If you do prefer sit down for a meal, use Google/Yelp and search for good cheap eats rather than shooting blind. Your body and wallet will thank you.



Emergency Fun(d)

Things go wrong on the road. It's inevitable. While driving through the midwest for a tour last year, our engine blew out about an hour from the venue. The unexpected cost of a last minute cab to play, and blatantly overpriced repairs set us back a pretty penny. During another run, our macbook died during an off day, resulting in a computer rental and repair fee. In both cases, I'd gone on the road with a bit of extra money set aside just in case something goes wrong. You should too if you're not operating with a lot of capital to spare as so many of us artists do.